Wednesday 15 December 2010

What is TV Drama?

TV Drama is a hard thing to generalise into just one twerm as there are so many variations. Simply it is fictionalised action in narrative form. You have to understand the main ways in which TV Drama splits into different broadcast types.

- The Accused
- The Bill
- Eastenders
- Coronation Street
- Holby City
- Casualty 
- Hollyoaks
- Emmerdale
- Neighbours
- Teachers
- Waterloo Road

TV Drama and other genres:

- Survivors - Horror + Drama
- Doctor Who - Sci-Fi + Drama
- Misfits - Comedy + Drama
- Skins - Comedy + Drama
- Being Human - Sci-Fi + Drama

- Genre means kind or type
-  A television genre refers to a tv programme which have things in common so can be categorised.
- Many genres break down into sub-genres. Crime drama has become a genre in itsw own right.
- Because of tv drama the number of sub-genres has risen, such as costume dramas, children's classic dramas and soap operas. This happened in the 50's as the BBc was evolving and ITV first began broadcasting. 

Costume Dramas: Cranford, The Tudors
Childrens Classic Drama: Grange Hill, Byker Grove
Soap Operas: Friends, The Bill, Coronation Street. 

Monday 13 December 2010

Evaluation, first draft

1)  In what ways does your media product use, develop or challenge forms and conventions of real media products?

Costume: When we thought about the different types of costume and props, we looked at different films that have had similar character types, with out antagonist we wanted to use a figure which would be easily recognisable at the “bad” guy. So we looked at other films such as SCREAM and Inside Man which was incidentally one of my own case studies. With both of these the figure was simply dressed in dark clothing which hid their face and would make them unrecognisable under normal circumstances. So we also chose to utilise this and decided to have plain dark trousers, hooded leather jacket, sunglasses and neck mas which covered from the nose downwards. We felt this added an air of mystery. It's similar to the shower scene in Alfred Hitchcock's Psycho which shows only the shadow of the killer. (Clip from Psycho).
With our Protagonist Alex's costume we wanted something completely normal that would simply blend in. We wanted nothing that would single him out as a possible target for our killer.

Location: For our location we wanted to use an urban are with a telephone box, this is because our whole film is based around the idea of the telephone box and how communication can offer anonymity. With most films the location is set in a normal are. We also mainly chose our location as it offered the most simplicity in travel for us. But also an urban area has been a proven way of showing that an attack like this can happen anywhere it doesn't always have to be somewhere important like an office building where all the worlds leaders are gathered. It also offers a sense of surprise as no-one would expect it to happen in such a setting. This is similar to The Strangers where a couple is attacked by some strangers in a country house setting.

Soundtrack: Our soundtrack is simplistic. Along with a few basic sound effects (Wind, door creaking) we only have two prominently featured music tracks. The first we hear is the sound which is shown as coming from Alex's headphones (Clip of Alex walking with music). This can show how oblivious he is to the situation which is around him in that he is being followed. This also shows how sound can envelop us and make us unaware of our surroundings. For instance, Psycho, the shower scene the woman is oblivious to the danger which is so close to her mainly because of the sound which drowned out the man's footsteps. The second music track is a dark and suspenseful. Obviously this helps build the tension and makes you very aware that something is about to happen that will change the story dramatically. In this case Alex's potential death.

Camera Angles: Our camera angles were mostly simplistic. Most of our shots were done with the stand, this was mainly to look more professional. With most of ours shots we included a part in which Alex walks away from a certain scene and then the antagonist will appear from nowhere. This works with the audience to add mysteriousness to the character, it may also add scare value which in turn keeps the audience interested as it isn't just an endless reel of shots where Alex is walking. One shot that I feel stands out particularly is the shot where Alex is walking along the road but the camera is being hand held, it is similar to a P.O.V. Except that we are looking at Alex not seeing everything from his point of view. This distinguishes what Alex is seeing hearing from what is actually going on around him.

2) How does your media product represent particular social social groups?

There are very few social classes that are represented in this as there are only two characters which also are both male. But the protagonist Alex, is shown as a normal teenager. You could say that he represents teenagers as normal people who are almost oblivious to the world around them. You don;t really see him act as if he is under any particular threat, this means that we cannot particularly tell how Alex as a male or a victim is represented, but so far he is shown as a normal student who just goes around his business, to college just like a normal person.. The Antagonist is represented as a male who looks like he has psychotic tenancies, he chooses his victims by using a public telephone.

I beleive that because there are no women in this production, you cannot tell how they would react in this situation. Therefore we cannot compare it to a males reaction. Another point which could possibly be argued is that as there are no women, they are smart enough to stay out of a situation. They possibly wouldn't hav picked up the phone. Only the males would be careless enough to do so.    

3) What kind of media institution might distribute your media product and why?
I feel this film is quite mainstream, so if it was a full length feature I think it would be good if it was released into traditional cinemas or multiplexes. This is because I don't think the audience of an art house could completely appreciate the potential violence, I believe art house films are mostly about emotions and feelings, although I may be wrong. If this film were to go straight to DVD I don't think it would get the recognition that would suit the film. I would also rather that the film would be put on a service which would generate less money and have better recognition that vice versa.

4) Who would be the audience for your media product?
To answer this question we must look at our audience research which we recorded with questionnaires. When we asked our age groups these question we discovered that the older generation wanted more scripted and dramatic productions with a complex plot which is tricky to follow. What the younger generation wanted was almost the opposite; they wanted a film was plenty of action and violence with a simple but elaborate plot line also. So for instance the older generation would be watching Frost the younger ones would be watching Ultimate Force. Both have much differing levels of action and violence. And as we found out, most younger people would like lots of action. These are the main reasons that we feel that our film would be much more suitable for a younger audience.


5) How did you attract/address your audience?
We attracted our audience with our opening. So we wanted to include a small part of everything. For instance we included confusion for when Alex was talking into the public phone. Anger, when Alex is woken up by his phone ringing in the middle of the night. Fear, when he sees the black covered figure and the flickering light. So our main tactic to attract them was to keep them interested and to try not to let the story ever get too boring. We made our production thirty seconds too long, which turned out to be a blessing when we had edited it down because we found that the story flowed much more smoothly and there was less time when there was very little camera action. When we addressed our audience we wanted to have the bare minimum time without sound that was possible which also helped keep the pace of the film up. And the only times where we didnt have sound was when we were using the silence to help keep the suspense up. When we were looking at connecting the main character wirth the audience we didnt use any first person voice roles, but instead we were looking at making the audience feel pity for Alex, and empathising with him, he has no idea what is going on until the final moments but the audience knows exactly whats going on.

6) What have you learnt about technologies from the process of constructing this?
When it came to using the video camera it was a situation where we made mistakes and learned from them. We started out having no major problems, a few issues with uncharged batteries but all the same normal, but the problems came when we started trying to look back at our work on the camera. The tape began tpo mix up and put pieces of filming in different places causing large problems when we thought we had lost a lot of our work, but after recovering it we then knew that we should only check sparingly with our camera and waitr until we had a computer available to check. The most of what we learnt with the technologies came from the editing process. For our preliminary product we used iMovie. And we were supposed to move onto Final Cut for our main product. After we switched over we had problems with sound as none of it was transferred to Final Cut. Also our transitions had just been turned into black slides about 5 seconds in length. So we made the decision that we would much rather that we could easily make our video to the standard that we desired than have difficulty making it but have the possibility of a few more features. So we made the right choice in turning back to iMovie as we discovered simple is better. When is came to other sides of editing we soon knew that you should nevewr leave anything so that it was "Just okay", always make sure everything is perfect when you make it. After all we realised that mistakes become much more noticeble when you watch the film from start to finish which can become annoying especially when it only takes five minutes to fix. When it came to putting shots in the right order there wasnt too much trouble as the main issues usually come with scenes with a lot of talking. But as we were very low on this type of sound we had no real issues. But the ending changed three times before we decided on something that was suitable. So when it comes to filming there is nothing wrong with being a perfectionist.
7) Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?

Wednesday 8 December 2010

Our Thriller : Final Call

This is our completed and final cut of our thriller opening named FINAL CALL

Our Storyboard

Alex Jarvis' Media Blog: Storyboard: "This is a very rough plan for our thriller opening, we will not necessarily be using all of these shots and ideas, but hopefully it will giv..."

Sunday 28 November 2010

Case Study 2: Point Break

Institutions:
An FBI agent goes undercover to catch a gang of bank robbers who may be surfers.

Director: Kathryn Bigelow
Writer: Rick King

Cast:
Patrick Sawyze : Bodhi
Keanu Reeves: Johnny Utah
Gary Busey: Pappas
Lori Petty: Tyler


Release Date: 22 November 1991 (UK)

Country Where Made: U.S.A.

Box Office Return: $43,218,387 (USA)

Budget: $24,000,000 (estimated)
                                         
Audience: This is a film for anyone who is a fan of the thriller/crime genre, it has action but also retains some emotional performances and an area of romance for the main protagonists.

Audience Reception:
No.1: Quaint in its depiction of an alternative lifestyle, yet still an above average, really quite vicious action thriller.
No.2: While it can accurately be described as an action film, a heist movie, or even simply a thriller, Point Break is also the first "extreme sports" movie
No.3:  Bigelow's adept handling of the action elevates Point Break to guilty pleasure status.

Rotten Tomatoes:
Tomatometer: 67%
Audience: 47%

Technology:
The technology in this film is not as up to date as other more recent films, thios also means however than it can be more realistic, such as Keanu Reeves actually had to learn how to surf in this film, which is a key part of the plot as he must infiltrate the gang, which means it was real as opposed to using a blue screen. Apart from some occassional explosions the film is relatively CGI free with the director choosing to use stunt men and stand ins for scenes such as the skydiving one.

Representation: 
The main protagonist in this film Johnny Utah (Keanu Reeves) is played as a "fresh out of training, college football jock" which makes him a very tenacious character as he still has the enthusiam necessary to defeat the protagonists. Pappas (Gary Busey) however is the opposite as an old detective coming close to retirement and has been trying to catch the bank robbers for a while and has nearly given up, until Johnny Utah comes along. Bodhi (Patrick Swayze) is shown as a man who would seem at first glance to have been riding along with his life not making much money. However he is an adrenaline junkie, whos looks decieve him as he is a smart clever and ruthless bank robber, but at the same time to everyone around him, very likeable. This is a problem for Johnny as it is his job to get close to him and take him down.

Codes/forms and conventions of the thriller genre:  

Location:
The location of this film is an integral part of the story, as it is how the FBI agents eventually track down the Robbers and try to join the "pack". It is set in LA, mostly on the beaches, the criminals are tracked down via the chemicals in some hair which they track down to a certain beach.

Character Types:
The detectives are shown in two different ways, Johnny Utah is shown as an enthusiastic law enforcement officer whereas Pappas isold and looks like he cannot be bothered anymore. Bodhi is shown as a man who looks like he may have been riding along for a while not bothered about anything, whereas he is actually an intelligent criminal who organises everything in military precision.

Costume:
The costumes throughout are varied. For instance at the beginning the police all wear suits and tieswhich is very formal. This changes throughout to a casual look as going undercover plays a big part of the operation. Most of the cast wear beachwear throughout because the beach is anintegral part of the story, Except when the robbers are doing the banks, they wear suits that match the masks they wear, which are of the previous presidents.

Objects:
Most of the objects that are sent into the bank play a big part of the story and vice versa, as there are many bugs and traps throughout this film that are used to con each of the "sides". Also when it comes to the weapons in the film they also play a vital part towards the end of the film.
 
Sound: When it comes to sound most of it is diagetic with much talking, shooting, music inside of the story on speakers, etc. But there is a low amount of non-diagetic sound, as most of this movie if filmed in a handheld way and having no sound effectg music or orchestra sound makes it seem more realistic.

Film Synopsis

The film opens with our main character Alex, a nomal student walking home, his usual route goes past the phone box, but today is far from usual, the phone box rings, hesitant at first he walks over and cautiously answers, all he can hear is brething from the other end. He gives up andputs the phone donw. For the rest of the night e doent giveit a second tought, assuming its just some kids prank calling. It's a gloomy night. As alex walks home he listens to his music, oblivious to the fact that he's big watched.

As he walks home the night becomes darker until it's pitch blck, but he gets gome to find the door open.This doesn't phase Alex as he realises his parents have probably just left the door open so he thinks nothing of it. He takes is coat and shoes off and walks upstairs at the precise moment a masked figure appears at the window. He goes upstairs to pour himself a glass of water, leaving the tap running he walks across the landing, the light flickers quickly on and off bringing thr masked figure into view. he climbs into bed and goes to sleep. He is then woken up later by his phone ringing, again he thinks nothing of no-one being on the other end. He goes back to sleep only to be woken up by he light rapidly flickering on and off and standing opposite him the masked character wielding an axe. (This is our three minute thriller opening, and now this is  vague outline fo the rest ofthe movie)

Alex is captured after a struggle in his house, he has a broken leg. He is bound and gagged and trown into the back of a truck. He travels for hours and finally comes to a stop. He is thrown into a small cell like room. He is questioned for days. None of the questions ever make sense. They are in the same lnguage but mean nothing to him. After a few days there is noise. He is grabbed again, leg still broken he is dragged across the floor and outside into the burning sunlight. He blacks out.

He wakes up to a nurse standing over him. After a few days of recovery he is sat down in front of the police. They need his help to raid the main base of the people who captured him, the are people known as the resistance Alex, is told to compare this to the antagonists in Fight Club. The reason they need Alex is because he should know the layout of the base. He claims to know nothing but the people say they can access his subconcious to find any thoughts. As he agrees they take him to a room and strap him in the chair, they anesthatise him.

He wakes up to the seemingly startled faces of the scientists. "Did you find anything?" Alex asks."Yes, but not what we were hoping for" he replies. "Oh?" "Yes, it would seem that we found out the leader of the group, which may help us just as much" "And?" "It's you..."

Thursday 25 November 2010

Thriller Update

We have filmed all of the ending again as we said we would because it wasn't inkeeping with the rest of the film. Also we have added it to the rest of our film along with some new music which will play throughout. This is because we felt it added more suspense to the story, and stopped the film from feeling like it kept starting and stopping. We added the sound of static and a phone off the hook just to emphasize that it was about phones being the antagonists way of select6ing his victims. Also it was a good way of showing the end of the film and it could be possibly be linked to the Alex's life possibly ending.

Final Call – questionnaire

 


  1.           Do you think that the shots are put together well?
                 (Yes) (No) (Slightly)

    1. Do you think that the costumes are appropriate for the style of film?
      (Yes) (No) (Kind-of)
    1. Do you think the sound track creates suspense?
      (Yes) (No) (Slightly)

      1. Do you think the plot of the film is good?
        (Yes) (No)

      1. Did you enjoy the thriller film you have just watched?
        (Yes) (No) (It was alright)

      1. Would you watch the rest of this thriller film from what you have seen so far?
        (Yes) (No)
These are the questions we asked our questionnaire participantrs to see what they thought of the film so far. Mostly we had positive results but we feel that this is okay as it was only the first rough cut.

Wednesday 17 November 2010

Preliminary Project "Appleicious"

This is our preliminary project called Appleicious, one hungry teacher goes to find his lunch, we tried to use as many different types of shot as possible along with different techniques such as match on action, and over-the-shoulder.

Monday 15 November 2010

Filming Changes

This week we decided that our film ending was not inkeeping with the research we did with our questionnaires and the rest of the film in general. We are hoping to do some re-shoots later in the week to alter this and make the film better. We will have to see if we can use the camera again this week but if all goes well we should be well into the editing process by the end of the week.

Sunday 14 November 2010

Audience Research 46-60 Year Olds

- How often do you watch thriller films?

Never: 2
Always: 1
Sometimes: 2

This tells us that the older generation of people are less likely to watch thriller films than the younger generation.

- If you do watch thriller films,what types do you like?

Horror: 1
Action: 2
Comedy: 4
Drama: 2

This also shows that older people are less likely to watch horror films and the majority watch comedy films, with others watching action and drama.

- Why do you like watching thriller films?

Some of the answers included - Its always entertaning - for the storyline and the action - keeps my attention with a fast moving plot - they are a laugh - because of the usually simple plot lines.

- What do you think is essential to a thriller film?

Fast paced plot - good plot, lots of action, car chases and suspense - a good main character with emotion - a good spread of characters and a good plot -a threat to the world.

- Would you prefer a more script based film (Inception) a film with more suspense (The Strangers) or a film with more action? (Die Hard)

Scripted: 3
Action: 2
Suspense: 1

- Do you think a soundtrac is very important to a film?

Yes, very: 3
No, not very:  1
Not bothered:  1

- What sort of location would your ideal thriller film be set it?

Desterted barren wasteland - Doesn't matter - a city like venice or san francisco - rural country setting, rarely seen - Outside, in a foreign country.

- Anything you would like to see more of in thriller films?

Older protagonists - women lead protagonists - believeable characters and a plot that is not completely ridiculous - suspense.

- What is your favourite thriller film and why?

Inside Man, becaus of the cleverness of the plot
Bourne Series
The Departed, it's never slow, it always keeps you thinking.


From all of thesequestions you cansee that the older generatin prefers much more of a soli plot lines and  serious story. Also music is important, another point is that most would like an older set of main characters.






Thursday 11 November 2010

Changes to Filming


We decided only to use one bad character, in this case Ed, to make this opening sequence more personal between the good and bad character. We are hoping that because of this,  the audience will feel more engaged with the film and the relationship between Ed and Alex will be clearer. 

We used a leather hooded jacket instead of a suit jacket because we felt as the only bad character this would match the characters personality better and show off his dark side. As Ed is the only bad character we only used one prop for a weapon and that was a knife, we felt it was better to have a believable weapon that having an unrealistic looking gun for example.

We have changed the location of our phone box because it was a more isolated scene, which aided filming and it also shows isolation within the film.     

Thursday 21 October 2010

Costumes

These are the costumes our characters will be wearing:

Character background

This is our background of the characters

Camera shots

This is our camera shots plan

Shooting schedule

This is the schedule we will be using:

Costumes

These are the costumes are characters will be wearing:

Equipment list

This is a list of the equipment we will be using:

Soundtrack

These are the reasons why we chose the sounds that we did:

Script


SCRIPT

Phone Box Scene:
(Abandonment plays in the background)

Alex - "hello... hellloooo.... Is anyone there?........ (in confused, inquiring manor)

Ed - ........ (silence - slight breathing)          (hello - creepy voice)

In House:


Alex - "Hello"?...

Ed - "Silent slight breathing..."

Alex - "Is anyone there"?!

Ed- "hello" (creepy voice)
'
Alex appears shocked and the scene cuts to an abrupt ending followed by a static sound'



Camera Shot Plan


Camera Shot Plan

Opening with an establishing shot. A man walks past a telephone box. It rings and the shot switches to an over the shoulder shot facing the telephone box. Another shot of Alex walking towards the phone box. A closeup on Alex answering the phone.

He hears breathing down the phone. Switches to a shot of the mouth of the person of the other end of the phone. Keeping it anonymous. Back to previous shot and Alex slams the phone down. Alex opens the door and walks away, as the door closes you see Ed hang up his mobile phone.
Alex begins to walk home and in the background you can see Ben. An over the shoulder shot reveals a light on in his house. A side shot of Alex walking up to his house. A match on action as he pushes the already open door. The shots carries on to see him put down his bag, as he moves away from in front of the mirror, Tom becomes visible.

Alex continues to walk through the house with a handheld camera shot behind him. He pushes open the door, we see this from the other side. The television is static, we see this from the front at the televisions level and then from the side. The phone begins to ring and we have a close up on the phone. We see Alex pick up the phone and we have a shot from directly behind his head. As Alex speaks into the phone we see a side profile of Ed and Alex, which as Ed hangs up the phone switches to a shot in front of Alex with Tom, Ben and Ed visible behind Alex as he discovers he is not alone.

The shot then switches to a static picture with the credits scrolling down. And as the credits stop the screen fades to black and a phone disconnected sounds pays and fades out after a few seconds.

Character Choices and Bios


Characters

Ed (Leader) - (Hooded character 1) – This character is a dark and mysterious person who is set on turning Alex's (Victim) life upside down by phoning him randomly at a phone box & then follows him home in which he brings some of his tormenting friends (Ben & Tom). We only hear this character say one word, and this word will change Alex's life forever........ “hello”  Ed is sizably bigger than Alex which shows us his dominance & power over him. This is one call Alex will never forget.

Alex (Victim) – This character is your “average joe” student minding his own business, he is a peaceful and a non-harmful 'happy chap', when suddenly the phone beside him starts to ring and of course out of human curiosity he has to answer it, in doing so Alex seals his fate in which his life will be turned upside down by 3 hooded psycho's.

Tom (Hooded character 2) – Tom is one of Ed's accomplices, we first see Tom in the reflection of a mirror & a second time side by side with his 'master' Ed at the end of the scene. Tom is also a mysterious psychopathic killer determined to prove himself to 'master'.

Ben (Hooded character 3) – Ben is the third and final accomplice of Ed he is seen when alex is walking home & in the final scene with Ed & Tom, but have no fear he is presently watching Alex even though he is not on screen,  his presence is undoubtable.

Casting of characters
When it came to the casting it was easy, we decided to keep the casting within our group to reduce risk and chances of an outsider not turning up or dropping out. The main character we casted was Alex who is the victim in our film – we casted him because he is the smallest out of the 4 members and we thought this would show his vulnerability and innocence well. The second character we casted was Ed who is the Leader of the Hooded psycho's – we casted Ed as the leader because he is the biggest out of all 4 of us and this shows the dominance and power over alex. The third character we casted was Tom who is the second hooded character – we cast him because we needed extra hooded psycho's in our film and he makes up the dominance and numbers. The last person we casted was Ben who is the third hooded character – we casted Ben because we needed a third and final hooded psycho and he also shows dominance and power over alex.
Putting all three of these people together makes for one big scary call for alex.

Plot Planning


FINAL CALL
A Production
Plot:
A boy called Alex walks past a phone booth, it rings, and he answers it. He asks who's there but hears nothing except from a deep breathing, he angrily puts the phone down, and then a hooded figure becomes visible. He walks home, not knowing that he is being followed, to discover that a light is on in his house and that the door is wide open. He cautiously walks into his house, and puts down his keys and bag in front of a mirror. As he moves away from the mirror, another hooded figure becomes visible. He slowly walks upstairs, and opens the door to the lit room, where he discovers that the television is static. A phone rings as he is facing the television, Alex picks it up and and immediately asks who is there, but with no reply, the phone disconnects. Alex hears harsh breathing and feels it on his neck.

A hooded character from behind whispers  “Hello...”

Inter-Textual Reference


                                                        Inter-textual references


1.Reasons for choice or ideas:
•Phone box – we have chosen this because it creates a feeling of isolation and claustrophobia. Also this is proven to have worked in the “Phone Booth”
•We used the idea of hooded and masked characters so that there would be a much more mysterious feel to it. This heightens the anxiety of Alex, and keeps the audience on edge throughout. This is a proven technique in the film “Hot Fuzz”
•We used the entire idea of phones because most people have one which means everyone is at risk. This is also a message to show technology could be taking over our lives.
•We felt that the soundtrack we chose was in fitting with our production because the whole idea of the story is mystery and suspense so we thought what was better than wind. To keep the suspense of the story as it has been successfully used in previous films, such as the graveyard scene in 'the omen'.
•The reason we used such casual and modern music during the scene which Alex is walking home because it confirms him as a normal member of society. Whilst Alex is listening to his music, he is unaware of the situation that he is currently in.


Sunday 17 October 2010

Week 1:Film Planning

In our first week we have progressed well when it comes to our video, we have completed almost all of our planning, so far we have our costums, location, camera shots, plot, script nd characters all planned and ready to go, all we have left to do now is our equipment list, and our actual filming which should be done over a mixture of half term and the next week coming.

Body Of Lies Introduction : Sound

Sound - The opening of 'Body Of Lies' involves mainly non-diegetic sound but as is normal has a small amount of diegetic sound. The first diegetic sound we hear is that spoken by (what we assume to be a) terrorist at the start. This man speaks in Arabic, but there are subtitles included in English for those of the audience who speak English. The Arabic language shows the characters background, so the audience already knows that this character is that of Asian descent and is of a terrorist origin. And have an idea as to whats going on in his part of the world (wars etc.) The first main diagetic sound we hear is the loud explosion which the terrorists cause, and this isn't assisted by any sort of sound effect as the explosion itself creates fear. This loud bang acts as the indication that the scene has ended.

The non-diegetic sound included also represents the characters background. When we see the character at the start we hear a sound that we usually associate with terrorists. This noise is a sort of a native violin sound being slowly played, and it captures the identity of the characters brilliantly. When we see the British soldiers move towards the terrorists we hear a quite thudding noise, similar to that of a heartbeat. This creates a lot of tension and nervousness, especially as this noise increases in noise as the soldiers get closer. We also hear a windy effect when the soldiers are outside the building, and it makes the audience feel on-edge and slightly haunted.

Case Study 1: Inside Man

Institutions:
A cop has to talk down a bank robber after the criminal's perfect heist spirals into a hostage
situation.
 
Director: Spike Lee
Writer: Russel Gewirtz
 
Cast: Denzel Washington - Detective Keith Frazier
         Clive Owen - Dalton Russell
         Jodie Foster - Madeleine White
         Christopher Plummer - Arthur Case
 
 
Release Date: 24 March 2006 (UK)
 
Country Where Made : U.S.A
 
Box Office Return - 
 
Budget: $45,000,000 (estimated)

Opening Weekend: $28,954,945 (USA) (26 March 2006) (2818 Screens)

Gross: $88,504,640 (USA) (2 July 2006)  


Audience:
The target audience for this film is anyone who is a fan of the thriller/crime genre ,that conttains violence and action but still keeps the subtlety that is necessary in the crime genre.
 
Audience Reception:
No.1 - Remains consistently watchable as a mechanical exercise.
No.2 - Supremely annoying and nonsensical.
No.3 - It's okay, if you like investing two hours in a whodunit only to discover that a butler who was barely in the picture did it.
 
 
Rotten Tomatoes:
 
Tomatometer: 86%
Audience: 81%
 
Technology:
Progression in technology has allowed us much easier access to films and information about them. One of the ways that this has happened is because technology has increased the number of ways that we view technology, e.g. the web. The audience’s knowledge has been increased because they can now view the reviews and so on much more easily. Technology has increased access to the film because people can now discover better ways to view the film, such as blu-ray, or cinema listings of the film. 
 
Representation:
In this film the detetives who try and defuse and solve the hostage situation and the robbery are shown as normal human geings with families and children etc. this is shown through bring a part of their relationship into the story especially near the end.
The bank robbers in this film are normal peopleexcept that they are shown as sort of geniuses in a way, or arather the main antagonist (Clive Owen) is shown as the "Clever One" and the others as purely muscle for hire.
Finally the two other antagonists who are however not involved in the robbery are depicted as upper class citizens who have been robbed of thier business, when in actual fact this is far from the truth.
 
Codes/forms and conventions of the thriller genre: 
 
Location:
The film is set in Manhattan, most of the scenes are set inside and around the bank. The film uses the entirety of the bank for its shots ranging from the main lobby, store rooms, offices and the vault itself.
 
Character Types:
The detectives are shown as cool calm and collected, they dont seem to panick and have the situation very much under control.
The robbers are very tightly wound and look like that they might burst at any moment and kill anyone, which is different to Clive Owen's character who is similar tothe detectives in his calm manner, but this also comes off as arrogance sometimes.
 
Costume:
Costume is a vital part of this film as a main part of the robbery itself is based around it. The robbers and the hostages all have to wear the exact same outfit, this is so if the police were to storm the building they would all look the same. All of the upper-class people are dressed in smart tailored suits, this is so you can easily identify them as different from the robbers and detectives in what I can only assume to be off the racks suits.
 
Objects:
Most of the objects that are sent into the bank play a big part of the story and vice versa, as there are many bugs and traps throughout this film that are used to con each of the "sides". Also when it comes to the weapons in the film they also play a vital part towards the end of the film.
 
Sound: When it comes to sound most of it is diagetic with much talking, shooting, music inside of the story on speakers, etc. But there is a low amount of non-diagetic sound, as most of this movie if filmed in a handheld way and having no sound effectg music or orchestra sound makes it seem more realistic.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Thursday 7 October 2010

Movie Intro Notes

The Book Of Eli (2009)
Most of the information in this intro is through what you see, as there is no dialouge in the first three minutes, all you can hear is a booming sound at the very beginning and then the sound of a cat walking a and licking at a body. The main part of the sound comes from the heavy brething of  a man in camoflauge and an arrow whooshing throug the air. The first thing you see is a forest with ash falling all around it, the shot then pans down to the ground and you see a gun, and as the shot carries on there is a dead body obviously it seems the two are linked, as we pan across we have a view of the forest and then as we zoom in a we see a man with camoflauge aiming an arrow at the cat. The high point of the into is when the arrow travels at high speed across the woods but then stops and goes into slow motion which enhances the effect of the shot.

Brick (2006)
The film starts offa lot more gently that the first. In that it starts off with a slow piano sound, and a close up on a mans face, with gentle piano music playing in the background which doesnt really match with the image of the dead woman laying in the flowing water the only bit that matches would be that the water is coming from a sewer. there is a scene in a phone box where the man is taking a call but the shot makes him look isolated and small which would show inferiority in this context.

Gothika (2003)
The first shot is of the Columbia Pictures Logo but the colour is changed to suit the tone of the film so it is much darker. The first thing you rhear are the whispers that are coming from the asylum, along with tying this helps set the tone as a dreary dark scary horror movie, most of the shots are panning around the cage which shows it as a small enclosed space and the way the cage is there shows that maybe you should not be there, or it is protecting you from the woman insde it. There are also many many emotions such as calm, relaxed upset and crying which contrasts from each other.

Wednesday 6 October 2010

What have you learnt about technologies from the process of constructing this product?

During this process myself and the group learnt quite a lot from making the video. I feel the video editing was where we learnt the most as none of us had used the editing software (iMovie) before, but after a few minutes we were becoming used to it and finding it easier to edit clips.

During filming we learnt it was important to watch out for giveaway such as continuity and reflections on other surfaces, which could show the camera equipment or other members of the group, but we also realised that we shouldn't have looked back at our footage as much as we did because this mixed up our footage into different parts of the tape meaning we had to import and export everything twice, slowing our progress. We also realised to take more care to make sure people ar in the same positions for different camera takes as these are easily spotted on the film.

Filming Day

Last week we filmed out preliminary videos and edited them into a sall two minute video clip. We used the Appke Mac iMovie editing software. We spent a good 2 hoursfilming and a further 2 editing our production called "Appleicious" The story ofa hungry teacher searching for food. In this case, an apple. Our biggest problm together was stitching together the conversation from shot to shot fluidy but we still managed it.

Monday 20 September 2010

Terminology

There are certain terminologies to be learnt such as:

Composition: A piece of musicused for a specific purpose usually with a piece of video

Editing: Chnaging a piece of video which may including lengthening or shortening a piece of video, while adding music to change the effect to make it how you want it to look.

Sound: This could be the music added to a piece of video, it could also be a sound effect used to enhance movements or actions.

Sunday 12 September 2010

Reepham College Media Studies

This is my blog to track my progress as I go through my course and make a thriller 3 minute introduction.